Welcome to The Fleapit Cinema Club!

Welcome to The Fleapit Cinema Club – the home for everyone who enjoys watching great films in good company. Based in Westerham at Westerham Hall, we have modern projection equipment, a 24′ screen (larger than many multiplexes), a licensed bar and fabulous ice creams!
The Fleapit is run entirely by volunteers.


The Fleapit welcomes everyone. Membership covers admission to every screening that season – nothing more to pay unless you fancy a drink or an ice cream. Members may also bring guests for an admission charge of £5.00 per guest per screening.

  • Annual Individual Membership – £35
  • Individual Concession (student/senior citizen) – £30
  • Annual Family* Members – £65
  • Family* Concession (student/senior citizen) £55

* A Family Membership covers two or more adults and/or children living at the same address.

You can join at any screening, cash or cheque only – sorry, we don’t have the facilities to accept plastic!

First Timers

If you’ve never been to the Fleapit before, and fancy giving us a try without committing to a membership, then simply come along and pay a Guest fee. If you enjoy it as much as we are sure you will then join up at the end of the screening and the guest fee will be set against the membership for the season.

Disabled Facilities

Westerham Hall has full disabled access and facilities and our members who use a wheelchair have an unrestricted view of the screen. There is also an induction loop for the hard of hearing and a car park immediately outside the Hall (free after 6:30PM and on Sundays) with disabled bays for badge holders.

Westerham Hall
Quebec Avenue, London Road
Westerham, Kent, TN16 1BG

Our next screening will be:

  • The Man Who Shot Liberty Valance

    on 24th Feb 2019 3:00:pm, at Westerham Hall
    Director:John Ford James Stewart, John Wayne, Lee Marvin, John Carradine, Lee Van Cleef This is the Western for people who think they don’t like Westerns – in fact the Western setting is almost incidental, despite the cast list reading like a Who’s Who of the Hllywood Westerna genre. While the narrative thrust is typically Westernesque – straight-down-the-middle good vs. bad – the three main characters are far more nuanced and developed than was generally considered necessary for the genre. Stewart, Marvin and Wayne bounce off each other with highly watchable ease. Then there’s Ford’s direction. Gone are the sweeping vistas of New Mexico, instead the more intensely focussed sets of Paramount’s sound stages. The result is as much compelling drama as it is a classic Western. Made for a Sunday afternoon.

For full details please go to our Current Season page.

British Film Institute